Looking for God in a godless world - Slipknot's All Hope is Gone (1)

Just the title All Hope is Gone sounds like there should only be despair and gloominess. And yet, there are several prophetic lines throughout this entire album. Indeed, perhaps the title of the album and being released in 2008 during the Obama Presidential campaign, is coincidental, but aren't coincidences God's way of remaining anonymous? There is much to be reflected on in the hope that is offered by man and the hope that is offered by God. As much of the album's theme is focused on criticism toward the State and societal decay, it seems that the hope that is gone is not the one that God offers, but the hope that the princes and the sons of men can ever hope to offer is gone. "Put not your trust in princes nor in the sons of men" (Ps. 146:3) is a line I often remind myself of and is one of the very many reasons I have been consistently libertarian in my political philosophy. Conformity and power will always lead to corruption of the good which is what many of the songs on this album discuss.

The album begins with the introductory instrumental ".execute." and then proceeds to "Gematria (The Killing Name)". With a lot of screaming, blast-beat drumming, and tremelo-picking throughout the album, you can gather extreme anger directed at societal decay. Gematria is a numerology that is rooted in ancient Judaism. It's what's referred to in the Book of Revelation when the number of the Beast is discussed. "Oh, this is so typical, apocalyptical". It then identifies America as the killing name. It doesn't feel or discriminate. "We'll burn your cities down" is a line often repeated. Before the main chorus, "What if God doesn't care?" is repeated twice. While there is an obvious reference to American foreign policy from neo-conservatism, there is also a very strong point to take the lyrical themes metaphorically. How politics corrupt and corrode religious ideals, turn things into apocalyptic references and make apocalyptic points about how voting for the "wrong" party leads to introducing all of us to the Antichrist. Etc. It gets tiresome for those living in this two-party State who have experienced oppression from both the major political parties.

"Sulfur" is another incredible track on the album. It reflects on feelings of guilt and shame, and that while life will be filled with suffering, it is to be acknowledged that "I'm not a failure but I know what it's like". Too often, repentance is conflated with the constant feeling of guilt and impending doom. But this attitude toward repentance can lead to what is called despair. It is hopelessness that there can be redemption. "Sulfur" is a song about perseverance.

Stay, you don't always know where you stand
'Til you know that you won't run away
There's something inside me that feels
Like breathing in sulfur

There is also another indirect jab at religious hypocrisy and judgmentalism. "And I'm a sinner to most but a sage to some / And my Gods are untrue". People's opinions about whether the God you worship is untrue or whether you're a sinner or a sage to some don't matter. The question is whether you've learned to stand faithfully and dismiss those views that people have of you. The only Judge Who ultimately matters in the end is God.

"Psychosocial", which immediately follows "Sulfur" is the song most relevant for today's world, especially with the happenings in Iran and the intensity of it all. There's too many themes in it. Sometimes, I find myself just thinking about the line, "The limits of the dead!" Exactly what this means is open for interpretation, but looking at the lyrical direction of the song, you see similarities to "Gematria (The Killing Name)". "I did my time, and I want out!" It's a feeling of a desperation, being crushed within a system that tries to deaden your soul. "Packaging subversion, pseudo-sacrosanct perversion" shows how our political leaders corrupt sacred ideals of freedom and religion and then pervert them for their own agendas, leading people blindly to accept that they are really fighting for righteousness and goodness when it's about their resources and power. "Go drill your deserts, go dig your graves / then fill your mouths with all the money you will save!" Our political rulers and their sheeple will often times to manipulate those who oppose wars that we overthrew a brutal dictator. In the end, the ruling class gets resources and the people often times just get a replacement puppet-dictator and the cycle continues. The chorus is done in clean vocals which gives a symbolic idea to the fact that we're still standing in light of this and we can still persevere.

And the rain will kill us all
We throw ourselves against the wall
But no one else can see
The preservation of the martyr in me

"There were cracks in the road we lay, but where the Temple fell, the secrets have gone mad!" is a reference to the corruption of religion by political leaders and the clinging to political power. This political manipulation of religion is prevalent today when I see people denouncing religious people for voting one way or the other as if acting like their vote for one party's candidate over another is an abandonment of their Faith. I think it's the people who embrace that mentality that actually end up abandoning their Faith in favor of political idolatry though. "Now there's only emptiness / venomous, insipid / I think we're done / I'm not the only one". How many of us have lost friends due to political differences? And we finally get to the most fun part of the song where we're all coming together to shout, "The limits of the dead!" It's a reflection of the martyrdom that we stand in from being oppressed into conformity with all of those trying to lead us into the societal decline. Those who refuse to go along with that decay are dead to the rest of the world but those who go along with the decay are also in a dead state as well. So what are our limits? Before the final chorus comes a full-fledged indictment against the ruling class - "Fake anti-fascist lie / I tried to tell you but / your purple hearts are giving out / can't stop a killing idea / if it's hunting season / is this what you want? / I'm not the only one!" Once again referencing how our political leaders will corrupt ideas of freedom to generate propaganda in order to get us thinking that we're actually fighting a war for a holy cause.

Honestly, this album is too good to leave a reflection off so I'm going to end up making this reflection a multi-part reflection. I will conclude for right now with "Psychosocial". 

Looking for God in a godless world - Avenged Sevenfold's City of Evil

I've been doing something drastically different this Lent. Most people I know generally punt things that they find to be "perverse", "banal", or "crude". Or they focus on "more spiritual reading". Or something else. But then Lent is over and they go back to their usual every day lives. But Lent should be about refocusing our spiritual perspective to focus on the Holy even beyond the season of Lent. So instead of giving things up, I've been doing something that many would find, on surface value, counter-productive to the focus of Lent. But in the long-run, probably more beneficial. Let's face it, we give up things like video games for Lent but then we'll come back to playing them right when Lent is over. Why? It's just going through the motions. Maybe it's the sacrifice of pleasure that justifies it? But that pleasure sacrifice is going to be substituted ultimately by something else. Sure, I miss meat, but that can be substituted with another pleasure. And then I'm going through motions.

This Lent, I wanted to do something that I'm ordinarily confronted with on a daily basis. That is seeming godlessness. We all feel like we live in a world that is subjected to Satan. It's a spiritual reality. Our Lord refers to the Devil as the "ruler of this world" (John 12:31). While we know his time is temporary and Our Lord's reign will be eternal, we see godlessness everywhere. But if God is omnipresent, even He is present in the godlessness. In 2005, the hardcore rock band Avenged Sevenfold released an album called City of Evil. I know many people who would look at the Death-Bat on the album cover, look at the genre of music, and the parental advisory label, as well as the title of the album, and state that there is no way this is of God. Yet many of the tracks on the album, listened to carefully, reveal quite the opposite.

What is the City of Evil that is described in the album? The album starts off with the song, "The Beast and the Harlot". "This shining city of built of gold / a far cry from innocence ... a City of Evil". The song is about the Great Harlot of Revelation and her destruction. She "makes us drink the poisoned wine to fornicating with our kings". This sets the tone for the entirety of the album. There is an oppressive condition to this City of Evil that detracts us from reality, leads us to drunkenness, advertises things as an escape. "Bat Country" explores the destructiveness of drug addiction and how things that are ugly are made to look attractive in this delusion to the point that we explore giving up our humanity, making a beast out of ourselves to get rid of the pain of being a man. "Burn it Down" is a metaphorical reference to burning down bridges after someone has betrayed you severely, forcing your own self to wonder if you can even put trust in anyone ever again. "Bat Country" and "Burn it Down" are the two tracks where God may be hardest to find, yet even in here, we see the basic human need to find connection, to be able to trust in something or someone, to escape from the Hell of pleasures that the City of Evil leads us to believe are good.

One of the most prophetic songs on the album is "Blinded in Chains". Though it is severely harsh, the overall message is how our politicians brainwash us and convince us to believe that their side is the truly right side, even manipulating religiosity to swing followers over to them. "As they thank the Lord the blind can't see! / Like a plague fed to the brain deadly disease!" It starts off lamenting that another war has already begun. Looking for the source of the problem, he points to the radical leaders first and foremost. But "as clowns you follow suit, behind the blood between the red and white and blue / ... 'cause it's in sight you take the left, I'll take the right / I feel the hate you've built for me". While the radical leaders are divisive, it's our fault for following them to begin with! The entire political manipulation of both extremes and "if they had it their way I'd burn in Hell / and your future's a f***ing disaster!" Why can't we escape? "I'd run away tonight with my mind still intact / I'm gonna make it alright / Easier said than done!" It's a "scared, seductive system" that we're absorbed into. But here's the most impressive part of the song:

Please help us, please save us
Of course they have control, we're all the same
Up on the cross
Crucified their problem, drove the nail and let Him rot
Family and friends
It won't matter in the end, I'm sure they'll understand

The political discord and manipulation of religion by our political parties is re-crucifying Christ. Though there are profanities in the song, it's hard not to see the presence of God directly in it. The City of Evil subjects us to mental blasphemies and brain-rot in thinking in terms of us vs. them or guarding our sacred institutions which are the exact opposite of sacred.

"The Wicked End" is another powerful track on the album about the extent of sin and depravity in the world. "Man's becoming more corrupt now, godless, wicked, and cruel / The soulless man stood silence, Mary's words rang so true". People are pointing to Christ's coming, people are falling into wickedness, there's deception, deceit, false Messiahs, etc. "The Wicked End" starts with the current state, goes back to the beginning, and shows the cycle that we are headed in as a society. With the overtly religious and Christian content of the lyrics, it is impossible not to see God in that song.

While there are a dozen songs on the album, the last one I want to touch on is "M.I.A." That one's really deep. The entire song is about the experiences of a soldier in war, doing nothing but carrying out duty, going through motions, and now questioning what he's done. "I shot a mother right in front of her son (Change this from my consciousness and please erase my dreams)". In all of this, he begins to wonder if he's truly on the right side or if he's just a tool for his country, being used as a weapon. "Fight for honor, fight for your life / pray to God that our side is right" - all he can do is pray that his side is the right one at this point as his patriotic duty has corroded his sight from right and wrong. He takes other soldiers' lives just so they don't take his. In all the carnage in war, he realizes that the battle between flesh and blood is not the battle that is most significant.

I walk the city lonely
Memories that haunt are passing by
A murderer walks your street tonight
Forgive me for my crimes, don't forget that I was so young
Fought so scared in the name of God and country

I think it's important to remember in the current state of our own seeming godlessness to remember that God is ever-present with us. We are constantly caught in a spiritual battle. That we reflect on our own inner actions isn't what makes us monsters, but what helps us to become more humane. The sacrament of confession is about our own inward reflection on ourselves. I find a lot of "Christian" music to be corny at times. I much prefer it when a secular band like Avenged Sevenfold can put together songs that derive meaning from their own individual experiences which allows us to see the Image of God in such artists.

C-3PO's symbolism in Attack of the Clones

Recently, I watched the movie Star Wars: Attack of the Clones. I am aware that George Lucas has admitted to using C-3PO as a metaphor before. In Empire Strikes Back, he compares C-3PO's being pieced back together again as a reference to Darth Vader's being pieced back together. Vader is ultimately broken by the fact that his own son has rejected to join him and overthrow the Emperor. Luke Skywalker has emerged triumphant over Darth Vader's attempt to turn him to the Dark Side of the Force, but Darth Vader is crippled by the fact that his son has rejected him. In the meanwhile, C-3PO is blasted at by a stormtrooper and ends up in pieces. We see Chewbacca struggling to put his robot friend back together and our heart breaks for Chewbacca. After the duel on Bespin, Darth Vader is seen for the first time in Empire Strikes Back no longer punishing his subordinates for their failures. An Imperial Officer says directly to Lord Vader that the Millennium Falcon's hyperdrive has been disabled, only for the Falcon to blast away right before Vader's eyes into hyperspace. Darth Vader does nothing. He has been defeated by Luke Skywalker's refusal to join him. Darth Vader has been blasted apart. He is starting to be pieced back together, but Luke Skywalker is now going to be just as frustrated, near despairing, as Chewbacca was when he pieced C-3PO back together.

Flash back nearly 25 years before the events of Empire Strikes Back and we've reached the tides of war in the galaxy. Once you understand the main plot-line behind Attack of the Clones, it becomes one of the most interesting of the prequel trilogy. Palpatine is slowly beginning to coagulate power as the Supreme Chancellor of the Galaxy. Right now, he is operating in the context of a democratically elected parliamentary republic. But there are rules he sees he can bend in order to accumulate much greater power. He has split the galaxy into two factions that don't even realize that they are both fighting for him and against each other at the same time. He has done so through his apprentice Darth Tyrannus - Count Dooku - as we will come to learn at the end of the movie. Count Dooku refuses to use his Sith name in front of the Jedi for he wants the Jedi to think of himself as the Sith Master and Maul as the Sith Apprentice whom he trained. He desires the Jedi to believe he is Lord Sidious while Maul is actually Lord Tyrannus. The Jedi are aware of both, but have not identified the Master. They won't until the end of the Clone Wars.

The Jedi, in speaking with Palpatine regarding the assassination attempt on Senator Padme Amidala view themselves as keepers of the peace. Historically, the Jedi have always maintained peace in the galaxy. But Count Dooku became more and more disillusioned with the Jedi. He came to see them as political agents for the Galactic Republic. The Separatists are disillusioned with the direction of the Galactic Republic so they form a faction with the Trade Federation and begin to declare their secession from the Republic. Senator Padme Amidala is revealed to be a dove who was going to vote on the subject of the creation of the grand army of the Republic. But the assassination attempt will drive her away and create a scenario where she and Anakin will become involved in a relationship with each other. Senator Amidala was Queen of Naboo when the Trade Federation attacked her planet and the Viceroy Nute Gunray is furious for the punishments he suffered. He was also involved in her assassination attempt. Nevertheless, Senator Amidala takes a view of not wanting conflict with the Separatists. She is not an ideologue in that matter and it infuriates both sides of the political aisle, the Loyalists to the Chancellor and the Anti-War faction. Senator Jar Jar Binks takes a Loyalist position and hands all power over to the Chancellor.

In the meanwhile, Senator Amidala and Anakin Skywalker end up on Geonosis where Obi Wan Kenobi has been taken prisoner by the Separatist Faction. Along with R2-D2 and C-3PO, Senator Amidala and Anakin Skywalker end up in a droid factory. Inside the factory, C-3PO ends up losing his head on the assembly line and it gets pieced back together onto the body of a B1 Battle Droid. A B1 Battle Droid head gets pieced onto his body. The rest is pure comedy. C-3PO ends up shooting at Jedi on the battlefield of Geonosis where he shouts, "Die Jedi! Die!" He corrects himself as soon as he says this, but the point is made. He is confused. What are his ideals? The Jedi, who were keepers of the peace, are all of a sudden becoming armed combatants of the Republic while the clone troopers show up to save them all. It is a confusing position for the Jedi. Once peace-keepers, now they will begin to be turned into soldiers. This justifies the disillusionment of Count Dooku and the Separatists with the Jedi and the Republic.

In the meanwhile, the B1 Battle Droid, who's head is on C-3PO's body, is frustrated. Not being able to move. He doesn't realize the master he serves is actually in fact the Chancellor of the Galactic Republic that he fights against. Nobody realizes this at this moment. But Count Dooku is aware of this. Count Dooku is the only one who knows all of the mystery at this point. He and Chancellor Palpatine both know the grand conspiracy. And you can hear it when you look at the formation of the clone troopers before Senator Bail Organa and Chancellor Palpatine and the rest of the Loyalists. You can see budding concern on Bail Organa's face as he looks on at the grand army and he starts to question his Loyalist commitment to Palpatine. A commitment that will erode as Palpatine disrupts the Galactic Republic and founds the First Galactic Empire in the midst of the collapsing government. Bail Organa is the B1 Battle Droid, wondering why his body isn't moving. The Jedi are C-3PO who have lost their way. C-3PO is the Galactic Republic, governed by Darth Sidious. The B1 Battle Droid is the Separatists, governed by Chancellor Palpatine. George Lucas, in this brief comedic moment in Attack of the Clones has placed in all of the symbolism that the viewer needs to see in order to know all of Darth Sidious's evil intentions for the galaxy.

Star Wars: Death Troopers

The last time I did a book review was on my other blog. But I wanted to do a book review on Star Wars: Death Troopers as it looked very interesting. It's not the first time that Star Wars has mixed into the horror genre. One would have to go to the Galaxy of Fear series to see the first time. Those were probably the first and only horror novels I could actually handle as a younger kid while others read things such as Goosebumps. That, and the more comedic horror children's novel called Bunnicula about the vampire bunny-rabbit that sucks the juices of all the vegetables. But anyway, this particular book, Death Troopers, I remember coming across at a book store when I was in high school and expressing interest in it. But I don't think we were looking into getting Star Wars books on that run though and I didn't have the money at the time. A couple of weeks ago, when I was shopping, I saw it in the book section and decided to finally get a look at it.

The topic of the book dealing with a contagious virus spreading throughout the ship gave eerie reminders of the past couple years. As we all wore masks and got vaccinated to prevent ourselves from spreading a contagious disease. Yet the medical droid in the book who was the infectious disease expert gave the sentiment that such PPE was more than likely useless. Let's face it, COVID still spread despite our best efforts to stop it. And COVID, being a disease one could get multiple times, wasn't going to be put out of business by a vaccine. That said, I've probably disobeyed more COVID rules than others, as long as I could get away with it, and have never had COVID myself. I'm not saying the virus unleashed in the book is at all like COVID. Oh no. This virus literally turns the flesh of sentient lifeforms into zombies.

There's a ton of horror fiction about zombies and much of it typically devolves into the science fiction genre. I think this is because when it comes to zombies, there is manipulation of lifeforms. Much like when it comes to Frankenstein, we see the manipulation of life by Victor Frankenstein and how that manipulation of life ends up haunting him, demanding more, and rebelling against the creator. I think much of sci-fi horror is based on this idea of how manipulation of life ends up killing the creator who thought himself God, or at least destroying that creator's loved ones. Especially with Jurassic Park by Michael Crichton. And perhaps Anthony Fauci would have done well to read Death Troopers before tampering with the corona virus.

Most of the book is dark and atmospheric when you are on the prison barge, though the mood seems to change along with the atmosphere as our characters escape to the Star Destroyer that they are boarding for spare parts. It's later revealed that nothing was wrong with the barge, but it was a tractor beam that had forced the barge on board. The characters soon discover the genetic manipulation of this viral substance that ended up leaking, though some of the Imperial officers believed that it was intentionally leaked onto the crew, and exposed the entire crew of the Star Destroyer. Eating alive the flesh of its victims and then taking over their carcasses, the Empire, we learn, was actually experimenting the potential use of such a virus in the lab.

This book, if not clear already, is written from the perspective of the Empire and the criminals that the Empire had caught. We aren't given much information on two of the main characters' father Von Longo other than he was apparently acknowledged as a good man by the Imperial officer who tortured him to death. The way the book humanizes all of the characters gives you much more sympathy for them. Jareth Sartoris, who killed Von Longo during interrogation proceedings, ends up developing as a character midway through the book. As the book peers into his character, you get to see much more of his character as a human being. Trig and Kale remain as kids throughout who are put through Hell. Trig, being the youngest, has to learn to toughen up the most. Zahara Cody is the Imperial doctor who ends up being one of the central heroes in the early ongoing of the disease's outbreak, developing the vaccine that saves Han Solo and Chewbacca who happen to be prisoners as well.

And yet, despite the fact that most of these people are working for the Empire, we see in the officers a sense of human duty. Both toward each other and toward their fellow sentients. Politics and past lives of crime are put aside. Han Solo is Han Solo. He doesn't trust the Empire or anyone working with the Empire, but he softens up in the situation. This character trait of Solo's is even present throughout the original trilogy of Star Wars too. He's just a smuggler who was paid out by Obi Wan Kenobi and then out of situational awareness, decided to come back and save the friends he had just met. Death Troopers is definitely a book not like any other Star Wars book. And I think that's a huge part of it. You see the Empire in a much different light. Not as a political villain, but as fellow humans performing human duty toward each other. And the epilogue of the book brings the circle of human duty toward each other to a full closure.